| 新时期文学理论的审美主义倾向论略 |
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| 引用本文： | 陈吉猛.新时期文学理论的审美主义倾向论略[J].上海交通大学学报(哲学社会科学版),2003,11(5):73-77. |
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| 作者姓名： | 陈吉猛 |
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| 作者单位： | 浙江大学人文学院,浙江,杭州,310028 |
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| 摘 要： | 审美主义是在近现代西方出现的人生观、世界观和艺术观上的审美一元论思想。受其影响，我国新时期学理论具有关学化倾向，在审美体验论、审美感性论、审美形式论、审美超越论、审美本质论等理论环节上显示出审美主义之审美一元论和感性本体论的倾向。反思新时期学理论的审美主义局限，对于推进我国学基础理论研究是非常必要的。
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| 关 键 词： | 文学理论 审美主义倾向 唯美主义 审美体验论 审美感性沦 审美本质论 审美超越论 审美形式论 |
| 文章编号： | 1008-7095(2003)05-0073-05 |
| 修稿时间： | 2002年12月30 |
On the Aesthetic Trend of Literary Theories in the New Era |
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| CHEN Ji-meng.On the Aesthetic Trend of Literary Theories in the New Era[J].Journal of Shanghai Jiaotong University(Social Science),2003,11(5):73-77. |
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| Authors: | CHEN Ji-meng |
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| Abstract: | Aestheticism that appeared in the West in modern and contemporary time is the monistic aesthetic thought regarding the outlook on life, the world and art. Under its influence, China's literary theory of the new age has achieved the aesthtic tendency and showed the trend of aesthetic monism and perceptual ontology of aestheticism in such respects as aesthetic experientialism, aesthetic perceptivism, aesthetic formalism, aesthetic transendentalism and aesthetic essentialism. Reviewing the limitations of aestheticism in literary theories of the new era is essential for promoting research into basic literary theories in our country. |
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| Keywords: | literary theory of the new era aesthetic tendency of literary theories aesthetcism aesthetic monism perceptual ontology |
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