| "扬州八怪"与"文人画" |
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| 引用本文： | 鲍时东."扬州八怪"与"文人画"[J].华东交通大学学报,2011,28(1):123-126. |
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| 作者姓名： | 鲍时东 |
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| 作者单位： | 华东交通大学艺术学院,江西,南昌,330013 |
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| 基金项目： | 华东交通大学科学研究基金 |
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| 摘 要： | "文人画"是绘画发展到一定历史阶段的产物,其创作目的基本出于陶情、白娱.随着时间的发展,"文人画"在重视画家个性抒发的同时,亦注重现实感受的表达,突破了传统审美观念的束缚,把传统的写意绘画发展到了新的高度."扬州八怪"作为这种画风的集中代表,其创作既继承了抒个性、尚创造的"文人画"传统,又以各肆其奇的画风和具有一定社会...
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| 关 键 词： | "扬州八怪" 现实生活 "文人画" 传统 |
"Eight Eccentrics in Yangzhou"and the"Scholar Painting" |
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| Bao Shidong."Eight Eccentrics in Yangzhou"and the"Scholar Painting"[J].Journal of East China Jiaotong University,2011,28(1):123-126. |
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| Authors: | Bao Shidong |
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| Institution: | Bao Shidong(School of Arts,East China Jiaotong University,Nanchang 330013,China) |
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| Abstract: | ＂Scholar painting＂ is a certain product of drawing at a certain historical stage,whose creation purpose is for molding temperament and self-entertainment.As time going on,＂Scholar Painting＂ pays attention to the artist＇s expressing his uniqueness and individual feeling,breaking the shackles of the traditional aesthetic,which develops the traditional freehand drawing to new heights.＂Eight Eccentrics in Yangzhou＂,as a representative of this style of paintings,expresses their creativity not only inheriting the personality but worshiping the tradition of ＂Scholar Paintings＂.Moreover,it brings the paintings to a new peak with its odd style and social content,which reflects the characteristics and art features of the times. |
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| Keywords: | ＂Eight Eccentrics in Yangzhou＂ real life ＂scholar painting＂ tradition |
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