| 试析《喧哗与骚动》中的意识流创作手法 |
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| 引用本文： | 单伟红.试析《喧哗与骚动》中的意识流创作手法[J].华东交通大学学报,2011,28(1):98-101. |
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| 作者姓名： | 单伟红 |
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| 作者单位： | 华东交通大学外语学院,江西,南昌,330013 |
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| 摘 要： | <喧嚣与骚动>是美国20世纪最杰出的作家之一威廉·福克纳的代表作.该作品不仅代表了美国意识流小说的最高成就,而且较为全面地运用了现代主义的各种写作手法和技巧.文章通过分析福克纳所运用的对位式结构、多视角的叙事角度以及絮语不止的内心对白等意识流表现手法,来揭示并欣赏作者独特的艺术才华.
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| 关 键 词： | 意识流 对位式结构 叙事角度 内心独白 |
On the Techniques of Stream of Consciousness in The Sound and the Fury |
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| Shan Weihong.On the Techniques of Stream of Consciousness in The Sound and the Fury[J].Journal of East China Jiaotong University,2011,28(1):98-101. |
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| Authors: | Shan Weihong |
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| Institution: | Shan Weihong(School of Foreign Languages,East China Jiaotong University,Nanchang 330013,China) |
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| Abstract: | William Faulkner was one of the most brilliant writers of America in the 20th century.The Sound and the Fury is his masterpiece.This novel not only represents the highest achievement of American stream-of-consciousness novels,and comprehensively contains various modernism writing skills and techniques.This paper aims at analyzing the techniques of contrapuntal type structure,multi-perspective narrative and interior monologue for revealing and appreciating the author＇s unique artistic talent. |
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| Keywords: | stream of consciousness contrapuntal type structure narrative perspective interior monologue |
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