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艺术自律性与当代中国语境--从法兰克福学派批判美学的艺术自律性原则理论出发
引用本文:施立峻.艺术自律性与当代中国语境--从法兰克福学派批判美学的艺术自律性原则理论出发[J].上海交通大学学报(哲学社会科学版),2006,14(3):76-80,F0003.
作者姓名:施立峻
作者单位:上海交通大学人文学院,上海,200030
摘    要:文章从批判美学的艺术自律性理论出发,分析了艺术自律性原则的理论诉求,以及它与当代中国语境之间的历史性契合原因与意义,进而对艺术自律性原则的悖反与困惑作了分析,强调了艺术自律的历史化与语境化的意义。

关 键 词:艺术自律  批判  现代性
文章编号:1008-7095(2006)03-0076-06
收稿时间:05 13 2006 12:00AM
修稿时间:2006-05-13

The Self-discipline of Art and the Present Chinese Context --From the Perspective of the Self-disciplinary Principle of Art in Critical Aesthetics
SHI Li-jun.The Self-discipline of Art and the Present Chinese Context --From the Perspective of the Self-disciplinary Principle of Art in Critical Aesthetics[J].Journal of Shanghai Jiaotong University(Social Science),2006,14(3):76-80,F0003.
Authors:SHI Li-jun
Institution:School of Humanities,Shanghai liaotong University.Shanghai200030,China
Abstract:This paper analyzes the theoreric essentiality of the self-disciplinary principle of art,why self-discipline of art fits into the present Chinese context and the significance of self-discipline of art The paper also discusses the objection to and puzzlement about the self discipline of art,and emphasixes the sigmificance of historicalixation and contextualization of the self-discipline of art.
Keywords:self-discipline art  criticism  modernity
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