| “肯定美学”析义 |
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| 引用本文： | 邓军海.“肯定美学”析义[J].上海交通大学学报(哲学社会科学版),2011,19(4). |
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| 作者姓名： | 邓军海 |
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| 作者单位： | 天津师范大学文学院,天津,300387 |
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| 基金项目： | 2010年度国家社会科学规划一般项目(10BZX077) |
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| 摘 要： | 肯定美学并非一个新的美学分支或研究趋向,而是一种欣赏态度。肯定美学所反映的是对于自然的尊崇态度。因反对如画美学这一流行的自然审美态度,肯定美学成了环境美学界的一个理论焦点。肯定美学之所以会引起争论,并不在于其违反常识,而在于其命题自身的逻辑含混及其支持者的意见分歧。
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| 关 键 词： | 肯定美学 欣赏态度 批评美学 如画美学 逻辑含混 |
Main Points of Positive Aesthetics |
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| DENG Jun-hai.Main Points of Positive Aesthetics[J].Journal of Shanghai Jiaotong University(Social Science),2011,19(4). |
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| Authors: | DENG Jun-hai |
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| Institution: | DENG Jun-haiCollege of Literature,Tianjin Normal University,Tianjin 300387,China |
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| Abstract: | Positive aesthetics is not a new branch of aesthetics,but a mode of appreciation of nature.Its supporters held that,to the virgin nature,the mode of appreciation is positive aesthetics,while,to arts,the mode is critical aesthetics.This respectful attitude towards nature is as old as civilization.In objecting the popular mode of nature appreciation which is called picturesque aesthetics,positive aesthetics became an important issue of environmental aesthetics.Most scholars understand positive aesthetics as a... |
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| Keywords: | positive aesthetics mode of appreciation critical aesthetics picturesque aesthetics ambiguity of logic |
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