| 嵇康之《声无哀乐论》浅议 |
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| 引用本文： | 赵静.嵇康之《声无哀乐论》浅议[J].兰州铁道学院学报,2007,26(5):24-26. |
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| 作者姓名： | 赵静 |
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| 作者单位： | 甘肃联合大学,音乐系,甘肃,兰州,730000 |
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| 摘 要： | 在中国音乐美学史上,嵇康占据着重要而特殊的地位,其代表作《声无哀乐论》一直引起后人的关注和争议.把音乐之美,从传统的道德的束缚中解放出来,转化成为个体人格的心灵自由的媒介,是嵇康《声无哀乐论》这篇名作所要说的中心内容.
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| 关 键 词： | 嵇康、声无哀乐 音乐美学 |
| 文章编号： | 1001-4373（2007）05-0024-03 |
| 修稿时间： | 2007-05-12 |
A Brief Introduction to Ji Kang's "Shen Wu Ai Yue Lun" |
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| Zhao Jing.A Brief Introduction to Ji Kang's "Shen Wu Ai Yue Lun"[J].Journal of Lanzhou Railway University,2007,26(5):24-26. |
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| Authors: | Zhao Jing |
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| Institution: | Music Department of Gansu Lianhe University, Lanzhou 730000, China |
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| Abstract: | Ji Kang has occupied an important and special position in Chinese musical aesthetic history,whose representative work "Shen Wu Ai Yue Lun" has been evoking later generation's attention and argument.The main idea of Ji Kang's "Shen Wu Ai Yue Lun" is to liberate the beauty of music from traditional moral restraints and turn it into a media of personality's soul freedom. |
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| Keywords: | Ji Kang "Shen Wu Ai Yue" musical aesthetic |
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