| 再论《红字》 |
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| 引用本文： | 索宇环. 再论《红字》[J]. 上海交通大学学报(哲学社会科学版), 2000, 8(3): 115-119 |
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| 作者姓名： | 索宇环 |
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| 作者单位： | 上海交通大学外国语学院，上海200030 |
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| 摘 要： | 19世纪初美国的宗教改革思想是《红字》的主题源泉，19世纪上半叶美国的艺复兴运动为《红字》提供了人物原形，莎士比亚的《哈姆雷特》成为霍桑创作技巧上借鉴、仿效的样板。再论《红字》旨在揭去《红字》的最后一层面纱，为喜欢该作品的中国读提供解读，为中国的外国学研究园地增加一道历史批评的色彩。
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| 关 键 词： | 《红字》 外国文学研究 历史批评 霍桑 《哈姆雷特》 莎士比亚 人物 中国 增加 美国 |
Another View on THE SCARLET LETTER |
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| SUO Yu huan. Another View on THE SCARLET LETTER[J]. Journal of Shanghai Jiaotong University(Social Science), 2000, 8(3): 115-119 |
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| Authors: | SUO Yu huan |
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| Abstract: | The religious reform in the 19th century United States inspired Hawthorne in formulating the theme of his literay work. The American Renaissance in the first half of the 19th century offered the archetypes of Hawthorne's creations. And Shakespeare's Hamlet set an example for Hawthorne in refining the form of his masterpiece. By reviewing this romance of established fame, the author intends to remove its enchanting veil to assist the Chinese readers in understanding and to add one more piece of historical criticism to China's foreign literature forum. |
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| Keywords: | bewilderment splitting inheritance |
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