| 五彩彰施之思 |
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| 引用本文： | 郭殿声.五彩彰施之思[J].兰州铁道学院学报,2006,25(5):96-98. |
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| 作者姓名： | 郭殿声 |
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| 作者单位： | 兰州交通大学,艺术设计学院,甘肃,兰州,730070 |
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| 摘 要： | 民族艺术自有其源,亦有其流。本文拟从古代中国民族绘画的色彩观念以及观念的兴衰而产生的艺术表现形式的变迁,分析了色彩在中国绘画中与历史文化和哲学极为密切的关系,并由此而呈现出的多元形式特性,进行客观论述。旨在发掘民族绘画的色彩潜质,适应现代文化情境的表达。
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| 关 键 词： | 五色 水墨 丹青 |
| 文章编号： | 1001-4373(2006)05-0096-03 |
| 收稿时间： | 2005-06-10 |
| 修稿时间： | 2005年6月10日 |
Pondering over Colors of Chinese Painting |
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| Guo Diansheng.Pondering over Colors of Chinese Painting[J].Journal of Lanzhou Railway University,2006,25(5):96-98. |
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| Authors: | Guo Diansheng |
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| Institution: | School of ARt and Design, Lanzhou Jiaotong University, Lanzhou 730070, China |
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| Abstract: | National art has its own origin.The close relationship is analyzed between colors in Chinese painting and historical culture and philosophy based on the views of colors of ancient Chinese national painting and the ensuing artistic expressive ways resulting from the changes in the views.Moreover,its various formal features are presented and elaborateed objectively.It aims at exploring the potentials of colors in national painting and making it adapt to the expressions of modern cultural settings. |
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| Keywords: | five colors chinese ink painting painting |
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