| 影视摄影中的“三景”辩证关系 |
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| 引用本文： | 郑向阳. 影视摄影中的“三景”辩证关系[J]. 兰州交通大学学报, 2009, 28(2): 41-42 |
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| 作者姓名： | 郑向阳 |
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| 作者单位： | 兰州交通大学,艺术设计学院,甘肃,兰州,730070 |
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| 摘 要： | 景物、景别、景深是影视摄影中三个非常重要的术语，合称“三景”。“三景”在理论表述中，既有各自不同的特质，又有相互之间的关联；在实际应用中，既有技术操作的参与，又有艺术创作的渗入。理清“三景”之间的辩证关系，将为进一步提高影视摄影的技艺水平开启一个新的思路。
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| 关 键 词： | 影视摄影 景物 景别 景深 辩证关系 |
Dialectical Relationship among Scenes,Field of View and Depth of Field in Film & TV Photography |
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| ZHENG Xiang-yang. Dialectical Relationship among Scenes,Field of View and Depth of Field in Film & TV Photography[J]. Journal of Lanzhou Jiaotong University, 2009, 28(2): 41-42 |
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| Authors: | ZHENG Xiang-yang |
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| Affiliation: | School of Art and Design;Lanzhou Jiaotong University;Lanzhou 730070;China |
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| Abstract: | The scene,field of view and depth of field are three very important terminologies in film & TV photography,collectively known as "Three Jing"."Three Jing" in the theoretical statements has respectively the different special characteristics and the close relations.In practical applications,has both participation of technical operation and permeating of artistic creation.Soritng out the dialectical relationship among "Three Jing" will further enhance the skill level of film&TV photography to open a new line o... |
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| Keywords: | film & TV photography scene field of view depth of field dialectical relationship |
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